Tonight at a glance
- Runtime
- 95 min
- Age rating
- NR
- Language
- Russian
- Country
- Russia
Why tonight?
- Under two hours — there is still an evening on the other side of it.
- In Russian — subtitles on.
The story
Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.
- coronation
- exile
- treason
- tatars
- wedding
- church
- intrigue
- medieval
The look
A few frames, chosen rather than collected.
The bill

Nikolai Cherkasov
Czar Ivan IV

Lyudmila Tselikovskaya
Czarina Anastasia Romanovna

Serafima Birman
Boyarina Efrosinia Staritskaya

Mikhail Nazvanov
Prince Andrei Kurbsky
- Mikhail Zharov — Czar's Guard Malyuta Skuratov
- Amvrosii Buchma — Czar's Guard Aleksei Basmanov
- Mikhail Kuznetsov — Fyodor Basmanov
- Pavel Kadochnikov — Vladimir Andreyevich Staritsky
- Andrei Abrikosov — Boyar Fyodor Kolychev
- Alexander Mgebrov — Novgorod's Archbishop Pimen
- Maxim Mikhaylov — Archdeacon
- Vladimir Balashov — Piotr Volynetz
- Vsevolod Pudovkin — Nikola, Simpleton Beggar
- Semyon Timoshenko — Kaspar von Oldenbock, Livonian Ambassador
- Aleksandr Rumnyov — The Stranger
- Directed
- Sergei Eisenstein
- Written
- Sergei Eisenstein
Production
- Rating
- 7.3 / 10 · 228 ratings
- Studio
- Mosfilm, TsOKS
The Collection
The complete story, in order.
1944 · You’re hereIvan the Terrible, Part I
Where it starts.

Ivan the Terrible, Part II: The Boyars' Plot
1958
If this stayed with you
Then these are the nearest things Cue holds — chosen for what they share with it, not for what happens to be popular.










